Finally! A new painting! It’s so nice to finally be back to painting. I missed it so much.Read More
This lovely kitty was painted in one sitting, which is a little unusual for me. Or perhaps this is my “new normal”? I had a 5×5″ piece of Gessobord and it needed to be used.Read More
I’m very behind in posting my latest cat head paintings. This post will allow me to catch up!
Such an attitude! I loved painting this kitty. But then again, I always love painting the cat heads.Read More
I wanted to do an itty-bitty painting, and finally got around to painting this orange, fluffy cat head. I tried to keep the brush strokes more spontaneous, but alas, I must fuss. For a little 4×4″ painting, there is a lot of detail, I suppose!Read More
This white kitty was so adorable and all the colors in his fur were fascinating to try to capture. This is a slightly different pose for me, as I often paint just the head of the cat. (I call these paintings my Cat Head Paintings.) Well, this is still a Cat Head, but we have some paws and some indication of a body. Woo hoo, I’m moving outside my comfort zone! 😉Read More
Here are two “new” paintings that are actually old paintings that I finally decided to finish up and post online!
I liked this very simple cat portrait—just the silhouette, with a little light touching the sides of the body, and the tip of the tail. It’s that tip of the tail that really catches my eye. I fussed with this painting off and on, and finally decided that simple was best, put a fork in it, it is done!
This second painting is a portrait of fellow artist Pavina. She sometimes models for our art / drawing groups, and during some of these modeling sessions I took a series of photos of her. This little oil sketch uses one of these photos.Read More
Another exploration of cold and warm light playing on the face. I used a full-body stock photo as reference, and had to really zoooom in on the face, but there was a lot of fascinating information in the flesh tones! There’s also a bit of drama in the lighting as well. I found there were subtle pale blues in the highlighted side of the man’s face, and some warm burgundies and purples contained within the shadows. I left the collar and hair very loosely rendered, because I was most interested in the colors of the flesh.
It’s painted on Gessobord, a favorite “guilty pleasure” painting panel. I keep obsessively collecting Gessobord. It’s a hardboard panel with a wonderful, smooth eggshell-textured white coat of acrylic primer on top. I love this painting surface but try to control myself and don’t use it all the time!Read More
I’ve been nursing this painting along for a few days. I considered it an interesting color study—I thought the reference photo (used with permission, of course) had so many fascinating colors, warm and cool, and a blue or green cast to them. I am not sure that this photo of my painting adequately captures what I was aiming for, though.
What I saw in the reference photo was a lot of cool pink cast, with some greens and blues in the flesh, especially the highlights. This photo looks like it has more orange in it. I see more subtle cool pinks in the painting.
Ah well, you can’t win them all!
It’s been a long, long day so I’ll leave this post brief for now, possibly adding more later.Read More
Another month, and some new works! Yes, there has been a lapse of paintings for this blog. It was a busy few weeks. But I’ve still been hard at work, painting!
This cat head painting was a particular challenge, because of all the . . . splotches. Our family calls calico/tortoiseshell kitties “splotched” kitties, because of all the multitude of colors. Well, actually my dad called these type of cats “multi-color.” We can’t just call them “calicos,” now can we? 😉
The challenge in this painting was representing the splotches on the surface of the cat, while still representing the form and dimension. I hope I succeeded in that. It certainly did make me think, as I painted!
In addition, here’s a work in progress painting. Hopefully it’ll be done in a day or two. Not much to say yet about this one, other than I’ve enjoyed the drama drama drama of the pose!Read More
I loved the expression and pose of this one. The original photo that I used as reference had an exaggerated “golden” tint to it, which I didn’t want to paint. So I ran the photo through my iPad photo editing app (not iPhoto) and chose an option that took away a lot of the yellow. Then I used the adjusted photo as my reference. It was an interesting little iPad tweak!
There were a lot of golds, greens, and muted oranges in this one. A different color scheme, but a lot of fun to paint! She has a very vintage look to her, her expression and the way her head is tilted.
I enjoyed painting this one, and now it’s time for the next!Read More
I classify this as oils, but to be more specific, I used fast-drying oils (alkyds) on this painting. They are one particular flavor of oils and have been around for a while. (Read more rambling from me about them on this post.)
I’m a big fan of Jason Aaron Baca’s stock photos on DeviantArt. So much drama! Dramatic poses, dramatic lighting, what’s not to love? So here’s another little oil sketch based on one of his photos.
With this painting I was working again with trying to capture the light and shadow, and of great interest to me, the warms and cools. He had a lot of cool tones in the highlighted parts of his face. I’m also working on making more pronounced brushstrokes, more strong and visible. I love bold brushwork and want to get more proficient with that! So exciting!
So, another one done. Put a fork in it! Now onto the next oil sketch. I have several in the works!Read More
I forgot to post this painting earlier. It was completed in August. I loved the intense look on the model’s face, but when I compare my finished piece with the stock photo used as reference, I realize that it ended up being more “inspiration” than a literal reference. I changed the expression, the intensity, the contrast, a lot of things. Now don’t get me wrong, it’s still obviously painted from that particular photo, but the jawline, the shape of the head, and the tilt of the head, among other things, were all changed. I don’t consider it a good likeness of the model anymore. But I have no intention of changing it.
What attracted me to this particular stock photo was the expression of the model, as well as all the variety of colors in his face—the pinks, neutral greens, and even some pale lavenders. It was a challenge trying to capture all of that in the painting. Not sure I succeeded completely, but I tried!
I used Ampersand Gessobord this time, which has a luscious, smooth, eggshell-like surface. I love it. I don’t always want to paint on that type of surface, but it is one of my favorites. It works especially well with smaller works.Read More